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usan Conway is a British artist whose work involves a liaison between textiles and fine art. Travelling widely and having lived in Borneo, the United States and Thailand, she has been open to a wide range of technical, stylistic and cultural influences which have encouraged her to adopt a particularly rich and experimental approach to her art. Her interests range from Lanna Buddhist murals and Thai weavings to stained abstract American paintings of the Fifties and Sixties, especially those of Helen Frankenthaler. Her predominant theme is landscape, which acts as a compositional structure for her colour, creating the luminosity of stained glass. Landscape also expresses her sense of environment, the changing times of day and seasons, and the inherent cultures and life cycles which are inextricably bound up with them.

The significance of rice in Thai Buddhist culture stimulated her to produce a series based on rice fields in the different lights of the tropical day. More recently she has worked on a series of estuary paintings in Wales, inspired by the patterns of sand and water and the soft clear light near St. David's. At present she is experimenting with a synthesis of nude and landscape.

 


Her paintings hang in the Russell Sage Foundation, New York, in Wolfson College Oxford,
in Imperial College, London and in many private collections in Europe, the USA and Australia.
 

Past Exhibitions

     
Dec 2003 to Mar 2004 Power Dressing
Lanna Shan Siam 19th Century Court Dress
Jim Thompson Centre for Textiles and the Arts  
6 Nov to 6 Dec 1997 Buddhist Landscapes The Gardner Arts Centre
University of Sussex
 
Oct 1991 Thailand
Weaving and the Rice Cycle
Kent Institute of Art and Design
Fort Pitt, Rochester-upon-Medway
 
23 Feb to 27 Mar 1990 Thailand
Weaving and the Rice Cycle
James Hockey Gallery, WSCAD Farnham  
16 Feb to 6 Mar 1987 Susan Conway
Recent Landscapes
ICST Consort Gallery  
21 Oct to 8 Nov 1984 Asian Landscapes Wolfson College
Oxford
 
22 Nov 1982   The Johnson Wax Kiln Gallery
The Maltings, Farnham
 
21 May to 11 Jun 1982 Paintings and Drawings by Susan Conway The British Council Gallery, Siam Square, Bangkok  
       

 

     
er emphasis is on colour. Around the walls of the gallery are ranged the varied jewel-like hues of the Orient with here and there, touches of sparkling gold. One has the impression of being in an eastern temple. And indeed the mural paintings of Buddhist temples in northern Thailand and Burma have been an enduring source of inspiration in her work.
 
   
   
arnham artist Susan Conway is off to New York at the end of this month.

She has sold four large paintings to the Russell Sage Foundation to hang in their dining room in downtown New York. The paintings are part of a series of works on the subject of .rice fields, painted during a year spent living in Northern Thailand.

Susan who lives in Greenhill Road, went to Thailand in 1981 to illustrate a book about rice growing. During her time there she held three one woman shows, including one at the British Council in Bangkok. On her way home she visited New York and sold a painting to the president of the Russell Sage Foundation for his office. The painting was much admired and last autumn he phoned Susan to ask if she had some large paintings suitable for the foundation's dining room. He subsequently came to England on business and visited Susan's studio in Holybourne where he chose the four paintings which she is accompanying to New York in two weeks time.

The paintings show rice fields from early morning to late evening The first in the series conveys the muted colours of sunrise, while the fourth is dominated by the brilliant light of sunset which is so distinctive of the tropics. The paintings are on dyed silk and painted canvas, a technique the artist has spent some time in perfecting.

Each painting measures six feet by four feet and Susan admits it will be quite a headache transporting them but she is looking forward to the trip and hopes it will lead to further commissions in the United States.

Susan studied .at the West Surrey College of Art and Design and subsequently was a mired and last autumn he postgraduate student at Goldsmith's College in London
She exhibited at the Maltings Kiln Gallery in 1982 and has just held two successful one woman shows at Wolfson College, Oxford and at the Consort Gallery in London.
 

   
   
 

Rice Studies to Hang in New York : Farnham Herald, 1990

 


 

   
   

 

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